RGB vs CMYK
RGB
Red, Green, and Blue are "additive colors".
If we combine red, green and blue light you will get
white light. This is the principal behind the T.V.
set in your living room and the monitor you are staring
at now.
Additive color, or RGB mode, is optimized for display
on computer monitors and peripherals, most notably
scanning devices.

CMYK
Cyan, Magenta and Yellow are "subtractive colors".
If we print cyan, magenta and yellow inks on white
paper, they absorb the light shining on the page. Since
our eyes receive no reflected light from the paper,
we perceive black... in a perfect world!
The printing world operates in subtractive color,
or CMYK mode.
In practice, printing subtractive inks may contain
impurities that prevent them from absorbing light perfectly.
They do a pretty good job with light colors, but when
we add them all together, they produce a murky brown
rather than black. In order to get decent dark colors,
black ink is added in increasing proportions, as the
color gets darker and darker. This is the "K" component
in CMYK printing. "K" is used to indicate
black instead of a "B" to avoid possible
confusion over Blue ink.

Always deliver your digital images in CMYK-mode!
One of the most common errors made by inexperienced
graphic designers is submitting RGB files. As a result
we must ask if they would like us to convert to CMYK
before we send the files for film output. Most of the
time, the color change that will occur is slight. However,
every once in a while, the color range after conversion
is compressed during the transition to CMYK mode resulting
in a complete change in color tones. Be warned that
there is absolutely no way to get that deep RGB blue
using CMYK, no matter how much we want to.
CMYK color shifts
Designing full color (CMYK) artwork for CD-ROM
replication projects can be tricky. Since a disc is made of plastic
it has different
printing and ink absorption properties than paper.
It is near impossible to exactly match CMYK colors
between your inserts and labels.
Since CMYK colors on the CD label can shift dramatically
MJK Disc Productions cannot be held responsible for
color deviations due to the limitations of the silk-screen
process. Unfortunately, even film-based proofs for
the label artwork are not guaranteed.
For technical reasons colors can shift from the start
of your run to the end, so no color match warranty
is ever expressed, written or implied by MJK Disc Productions
with regards to CMYK CD label printing color matching.
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Tips to avoid disapointments
The easiest way to ensure color accuracy is to use
PMS spot colors
Keep your design simple.
Unfortunately, there are no totally accurate means
for viewing what the actual printed surface of a CMYK
label will look like before you begin production. Even
seasoned professionals cannot anticipate many of the
undesirable effects that may occur from time to time
while trying to color match. CMYK Proofs are to be
used only as guidelines.
CMYK Workflow
When designing for CMYK printing there are a few
application specific tips to follow:
Photoshop
Your scanner almost certainly generates RGB information.
Don't worry, that's how it's supposed to work. In
fact, you should leave your color files in RGB mode
until you need to finalize your project, or until
you need to know CMYK ink values so you can match
colors in another program. While you are working
you can check how your files are going to look by
turning on the "CMYK preview" mode.
Don't make repeated changes between RGB and CMYK
mode, using the mode menu. Every time you switch, a
little clarity is lost. One switch is no problem; 20
switches makes a difference.
So why not simply switch to CMYK mode as soon as possible?
RGB files are 25% smaller and therefore 25% faster
to work with and easier to store.
The SWOP CMYK gamut is pretty small. If you ever
want to reproduce those files for a different medium
(such as the web), you'll have thrown away some potentially
useful information.
Illustrator
Stick to CMYK and Grayscale color models when working
on the paper parts of your project (booklets, traycards,
etc.). If you use Pantone Coated colors on anything
paper, make sure that you are willing to pay all
the associated up charges. Stay away from RGB. Refer
to www.adobe.com and
the program's help section for details.
Pagemaker
Menu choice WINDOW contains the "Show Colors" palette.
This program functions much the same way as Illustrator
and Quark in that you can add custom swatches for use
in your document. Refer to Adobe's web site and the
program's help section for details.
QuarkXpress
Familiarize yourself with the "Edit | Colors" dialog
box. Use only CMYK mode and ensure that the spot color
checkbox is off. Make sure that you are in control
of which colors should separate into CMYK by installing
a post script printer and using the output tab in the
Print dialog window. Be aware that Quark's ability
to represent color accurately is, shall we say, less
than ideal. (use a swatch book!)
Visit www.quark.com for
additional help.
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